A
few years ago I read Sarah Dunant’s Blood
& Beauty, which I found to be an engaging read with atmospheric
settings. So, going into The Family,
I was already familiar with the Borgia family and other historical characters
and the Italian Renaissance background.
This
novel was the author’s last piece of fictional work and he died before the
manuscript was finished. The book was released posthumously. The manuscript was
completed by Carol Gino, the author’s companion.
The
style of writing is down to earth and lucid from start to finish. I could not
tell at which point the change of authorship takes place.
In
some parts it seems the author is so zealous in trying to present the fatherly
side of Rodrigo Borgia that it comes across as forced, especially when his
cruel and calculating plans using his children as pawns speak much louder. It
seems to me that this character often tries to rationalize his ambitions, greed
and lust by pretending that these are not contradictory to his religious faith.
But understandably, under the immense political pressures that come from
sovereign states and papal states alike, above all, from his archrival Cardinal
della Rovere who constantly breathes down his neck, he has his reasons to
scheme and plot.
Cesare
Borgia is portrayed to be vengeful, ultra ambitious and wicked, but then his
sexual obsession with his sister Lucrezia is made out to be his only redeeming
trait, which is no redeeming trait at all.
Lucrezia
is perhaps the least deranged of the Borgias. Her character is also the most
credible.
All
in all, it was a good read. I’m giving it 3.5 stars, rounded up.
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