Before
finally reading this novel, I had watched the 1965 movie adaptation starring
Omar Sharif and Julie Christie many many times. By way of simple comparison,
the movie captured very well the spontaneous passion of a brief love affair
between physician/poet Yuri and his lover Lara, whereas the book dealt in much greater
depth the tumultuous factional warfare incidents between the First Russian Revolution
(1905) and the Russian Civil War (1917 – 1922), and their deleterious impact on
everyday Russian life. As much as I loved the movie, I have to say that the
novel was much more satisfying, if only for the stunning power of the written
word.
The
novel is divided into two Parts. Part One primarily dwells on Yuri’s family life
as a doctor in Moscow and the lives of those close to him, weaving them into
the fabric of the violent ideological strife and abrupt social upheaval that
were taking place in Russia. Highlights include schoolgirl Lara’s descent into
debauchery under an immoral lawyer’s evil influence, the chance but indelible
encounter between young Yuri and Lara, and Lara’s falling for a shy idealist, Pasha,
whom she later marries. After a short reunion in the town of Meluzeyevo, Yuri
and Lara come to know each other better but return home to their respective
families. In the background loom the bloodshed resulting from the fall of the
monarchy and the advent of the Civil War.
Part
Two zooms in on the spontaneous development of the love affair between Yuri and
Lara in the Siberian towns of Varykino and Yuryatin, interrupted by Yuri’s
being kidnapped by the Forest Brotherhood (a branch of the Red Faction) to
serve as their camp doctor. In the background the Civil War is raging on. For
fear of being arrested for being anti-revolutionary, the lovers decide to hide
in a deserted house in Varykino. As much as they both struggle inwardly with their
respective loyalties to family, they are able to savor the most magical and
memorable moments in the week-and- a-half in that unforgiving icy wilderness. Then
they are forced to accept the unscrupulous lawyer’s offer of a safe passage to
Vladivostok, which means for them separation for life.
Throughout
the novel, the author makes it quite clear through Yuri’s viewpoint his own
take on the falsehood and futility of slogan-driven abstract ideology as
against living life with passion and purpose. Even in Yuri’s all-consuming
sentimental love for Lara, he never loses sight of the wholesome beauty of being
a part of the universe. This is the poetic essence of the novel.
It was not out of necessity that they
loved each other, ‘enslaved by passion’, as lovers are described. They loved
each other because everything around them willed it, the trees and the clouds
and the sky over their heads and the earth under their feet. Perhaps their
surrounding world, the strangers they met in the street, the landscapes drawn
up for them to see on their walks, the rooms in which they lived or met, were
even more pleased with their love than they were themselves…. Never, never had
they lost the sense of what is higher and most ravishing – joy in the whole
universe, its form, its beauty, the feeling of their own belonging to it, being
part of it. This compatibility of the whole was the breath of life to them.
I’m
giving the novel 4.5 stars, rounded up to 5.
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