This
novel is the first novel that Eileen Chang wrote originally in English with a
later version in Chinese (秧歌). I chose to read the Chinese
edition as I wanted to feel closer to the characters in the novel as well as to
the author. Before this novel, I had never read any of her works, because as an
adolescent I had preferred to read novels by the Taiwanese novelist Chiung Yao
(瓊瑤).
The title of the novel refers to a festive
folk song that used to be sung by villagers in rural villages to celebrate abundant
harvests. It is oxymoronic when placed alongside the theme of the novel, which
is about starvation and hunger. The novel is set against a backdrop where the
land reform introduced by the Communist Party promised the rural populace great
hope but soon led to the absurd collectivization scheme, starvation and death
on a horrifying scale.
The author notes in the Epilogue that her
story is based on an essay in the publication called People’s Literature, written by a young Communist cadre to record
his eyewitness account of what had happened in the spring famine of 1950 in a
North China rural village. He had been sent there to live exactly like the
peasants and learn from them. While experiencing hunger himself, he noted that
everyone was forbidden to utter the truth, i.e., the unbearable sufferings
during a famine. Anyone who dared whisper the truth would be deemed a
nationalist spy and arrested.
In the novel, hunger is described as “having
for every meal a bowl of watery rice gruel with a few inch-long strips of grass
floating on top”. Gold Root with his wife Moon Scent and daughter are just a typical
family in the Tam Village silently bearing with crushing poverty and slow
starvation until one day his deep-seated rage explodes. He fulminates against the
village leader Comrade Wong for stubbornly denying that the peasants are
starving to death. The climax comes when a hungry and furious crowd starts
storming the government granary….
My heart remained tightly knotted for a
long while after reading the novel. How I wish that the novel were purely fiction,
but the mere thought would be sacrilegious to those who have had the misfortune
to have a taste of what constant hunger is like.
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