About
a decade or so ago I had seen on TV for the first time the 1993 film adaptation
of this novel that starred Michele Pfeiffer and Daniel Day-Lewis. It had made a
deep impression on me, especially the performance of supporting actress Wynona
Ryder, who played May Welland. After that I saw TV repeats of it a few more times,
which left me ever more bewitched. Last week, I finally came round to reading
the Pulitzer Prize-winning novel. The power of Wharton’s beautiful prose, along
with the pathos of a tragic-ending love story plotline, made it a sublime
reading experience.
What
the author brings into the novel, set in 19th century New York, is
much more than pathos of forbidden love. Her clear-eyed insight into the
hypocrisy and pretentiousness of high-society New York in what was called the “Gilded
Age”, which insight her upper-class up-bringing had chanced to cultivate, gave
that much more emotive profundity and even raison
d’etre to the storyline.
During
the reading, I had that nagging feeling that the author seems to treat the
devious and cold-hearted May Welland and her lot with too much leniency. Then I
found out from Wikipedia that Wharton meant for The Age of Innocence to be an “apology” for her earlier novel The House of Mirth, which had been much
more critical and brutal about the same theme - how social dogmas restricted
individual freedom. It just goes to show how unforgiving and oppressive certain
moral fetishes can be, under the guise of preservation of family/social traditions.
I
don’t know if I’m the odd one out here, but the one character in the novel whom
I admire is the joyously obese Mrs. Manson Mingott, if only because she is as
generous and non-judgmental in her compassion as in her appreciation for food.
Lastly,
I just have to say that I love the satirical ring to the title name. Allegedly
the title was inspired by a painting by Sir Joshua Reynolds, which was
originally named A Little Girl and
later changed to The Age of Innocence.
It makes me think that the story’s protagonist should be May Welland rather
than Countess Ellen Olenska. Welland’s innocence is the “invincible” kind of
innocence, the innocence that seals the
mind against imagination and the heart against experience.
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