After reading Blood & Beauty: The Borgias, I always wanted to read another novel by Sarah Dunant. At some Goodreads friends’ nudge, I decided to pick this one up.
Throughout the first three-quarters of the book I was more emotionally twined with the character of the dwarf Bucino than I would care to admit. The fact that he is also the first-person narrator is supposed to give immediacy and sense of reality to the scenes and things happening to him, but I must confess that I consciously and stubbornly clung to my skepticism. However, by the time I reached the denouement, I was obviously already too invested in him to be able to detach myself from his pain and anguish, or hold back my tears. That Dunant is a brilliant writer needs no further proof.
The plot would seem simple enough but nonetheless enthralling: a famed courtesan Fiammetta and her dwarf Bucino must escape the carnage of Rome’s invasion by foreign powers and are forced to find their footing again in prospering Venice, where they meet their friends and foes. With their loss of a precious jewel, we are led down a path of intrigue behind a veil of fog when Fiammetta’s healer and friend – a blind hunchback called La Draga – starts to snatch our attention. From that point on, I was loath to put the book down. The ending didn’t surprise as much as it saddened me.
Apart from being a skillful storyteller, the author is also adept at painting a vivid picture of 16th century urban Venice. In true historical fiction form, real historical characters abound in the novel to enhance the sense of place and time: painter Tiziano Vecellio (or Titian), engraver Marcantonio Raimondi, writer Pietro Aretino, painter Giulio Romano, and healer Elena Crusichi (fictionalized as La Draga).
I’m giving this novel 3.7 stars. [Warning: the language may be a bit raunchy for some readers’ taste.]